Arthur Hanley during his final weeks, and was eventually converted to Catholicism in April by Fr. His solution might be summarized by the notion of a "Supreme Fiction", an idea that would serve to correct and improve old notions of religion along with old notions of the idea of God of which Stevens was critical.
On a trip back to Reading in Stevens met Elsie Viola Kachel —, also known as Elsie Molla young woman who had worked as a saleswoman, milliner, and stenographer.
It might seem weird to read a poem about something as mundane as a jar. The titles of two novels by D. The confident persona, who seems to have egoistically placed a jar to challenge the nature, realizes at last that his art is not capable of what the nature is.
Cummings was a mere shodow of a poet, while Blackmur a contemporary critic and publisher did not even deign to mention Williams, Moore, or Hart Crane. Though Stevens is now thought of as one of the most significant and imaginative American poets, he led a life that seemed most likely to be associated with the jar, and not with the wilderness.
Stevens was admitted to St. The jar was gray and bare. Should a poem be allowed to do this? Knopfpublished inexhibited the influence of both the English Romantics and the French symbolistsan inclination to aesthetic philosophy, and a wholly original style and sensibility: Grey finds the poem "A Rabbit as King of the Ghosts" as useful to understanding the approach which Stevens took in his life separating between his poetry and his profession stating: From a feminist viewpoint, the jar represents the male ego placed firmly in a female environment, Mother Nature, causing mayhem and possible destruction.
Inunder the pseudonym "Peter Parasol," he sent a group of poems under the title "Phases" to Harriet Monroe for a war poem competition for Poetry magazine. A feminist perspective reveals a poem concerned with male dominance over a traditionally feminized landscape.
Out of the chaos of Nature comes a semblance of reason and order.
The supreme fiction is that conceptualization of reality that seems to resonate in its rightness, so much so that it seems to have captured, if only for a moment, something actual and real. The opening line is the only clear indication that a person, a persona, is responsible for initiating this mysterious and slightly disturbing process.
As the poem progresses there is a definite shift in the influence of the jar. Any lover of wilderness, and any lover of domestic comfort, really, can find something to think about in this poem, just as anyone who uses jars, or spoons, or even a toothbrush can.
A third school of Stevens interpretation is found who see Stevens as heavily dependent on 20th century Continental philosophy which includes J. Because it is constantly changing as we attempt to find imaginatively satisfying ways to perceive the world, reality is an activity, not a static object.
He planned to travel to Paris as a writer, but after a working briefly as a reporter for the New York Herald Times, he decided to study law. In three short quatrains the speaker manages to alter a whole landscape in Tennessee, and quite possibly the whole known universe, by placing a jar on the ground and letting the reader, and Nature, get on with it.
Is nature superior to human creations, or does human creativity surpasses nature in some way? In later years Elsie Stevens began to exhibit symptoms of mental illness and the marriage suffered as a result, but the couple remained married.
He attended Harvard University as an undergraduate from to His contemporary, Harriet Monroetermed Stevens "a poet, rich and numerous and profound, provocative of joy, creative beauty in those who can respond to Him".
And this a time the Great Depression when many Americans were out of work, searching through trash cans for food. The jar is an everyday object, a mass produced storage container made of glass which is, strangely, placed on top of a hill by the speaker. Who else would purposefully place a jar out in the open in daylight?
This is a striking expression of the power of the imagination over reality.
The reader, every observer, is now influenced, becoming a part of this evolving scenario in which a jar is conductor of events. Hanley and a witnessing nun present at the time of the conversion and communion.This poem, "Anecdote of the Jar," was in his very first book, Harmonium, which was not published untilwhen Stevens was already 44 years old.
After Harmonium, though, the flood gates opened, and Stevens continued to write and publish until his death, some thirty years later. Anecdote of the Jar by Wallace Stevens: Summary and Critical Analysis Anecdote of the Jar is an imagist poem in which Stevens explores the question of the superiority between art and nature: Is nature superior to human creations, or does human creativity surpasses nature in some way?
Anecdote of the Jar by Wallace Stevens has been puzzling readers for nearly Stevens also uses a light word, Anecdote, Anecdote of the Jar by Wallace Stevens: Summary & Analysis Related.
Anecdote of the Jar by Wallace Stevens. Home / Poetry / Anecdote of the Jar / Summary ; Anecdote of the Jar / Summary ; SHMOOP PREMIUM Summary SHMOOP PREMIUM SHMOOP PREMIUM.
Wallace Stevens (October 2, – August 2, ) was an American modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and he spent most of his life working as an executive for an insurance company in Hartford, mi-centre.com won the Pulitzer Prize for Poetry for his Collected Poems in.
I placed a jar in Tennessee, Wallace Stevens is one of America's most respected poets. He was a master stylist, employing an extraordinary vocabulary and a rigorous precision in crafting his poems.Download